Olchar E. Lindsann
Post erior ex Tinction
the spiiring catch-all ,limit hitched or
scrimming rashly in the ,tidal ,
in the progr
essive ,in the mire —en
the order dans the
even in the kitch—ens
dance upon the
foam of knuckles
wratched 4000 years
phalanxes closing
in to, batt le
phalanges closing
up on, ratt le
-pression stunned 2000
of the social hypnotised
(she intoned)
cette topia of fingers
dirt-itched writhedged ,f linched
descendant path dream
mirrored
eurydice cuckold descendant
incoherence rot-etched civil-
issed deja curate of eht northern crown
it no ,sand batt le
harmonic comb
ined it no, st
unned
in the confused
waves of skinbone series
in the shadow 80,000
the leap the
from the
leap
gallop or machine as
if Fieschi flailed in la danse frénetique
avec nous
nestle of golden tending
in the niege-curve sprintly
nerve-curled nueht nymph-sprung
,bracket
ed
visage typographique
page of pulses contrast d'amour gnaw
alabaster shivering avec nor ,past all
poltergeist extrapolation
in the barricaded veins
spattered gristle cross the slope of smoke
consclice demure ,eht law
Llullabbye
~^~^~^~^~^~^~^~^~^~^~^~^~^~^
“other's fury knew no bo”
-Lautréamont
~^~^~^~^~^~^~^~^~^~^~^~^~^~^
infested with divine exfoliation trash
it all your filiate rage
monoxide whisperer you, creeping, ash, be
tray fall mining rageous in the fast crisp floor
he thought: eht roaring palls
as if lenticular convulsions burst embraced your flaccid biped raging
in eht lash of slinting cough
rage
rattling lonely itna cumulus death
glove rage
endear or minting sorghum catalepsy
rage tarmac
bloated you
brace in gilgam furrows rage
Théâtre of Operation
~~~~~~~~~~~~~~~~~~~~~~~^~
“ s saines docctrines de la contre-révolution et de l'église,
et voici qu'audjourd'hui vous allez guerroyer en faveur
des saines doctrines d'Aristote. ”
-Nerval, Tribune Romantique, No. 2, April 1830
• • •
“ the theater of cruelty is not a representation. It is life
itself, in the extent to which life is unrepresentable.
Life is the nonrepresentable ori ”
-Derrida, 'The Theater of Cruelty and the Closure
of Representation' trans. Alan Bass
~^~~~~~~~~~~~~~~~~~~~~~~~
re pre
ton vol yr when
is sent con, vulsion
pulsion steepped in street ô
offal mired or gore
today
injour en splinters wrench
ô present sang lant wretch ô
gesture du faim volution cruel
wre portant fleuve l'é stage the poor
fumée àgainst, eht Walmart gluten
maissive sur, in missile asp soliloquy
ô doubly wrent
with teeth avec
or pride of thrashant scumble ,d
holy holy holy
thrembles of striated whimper à
phosphorescent spittle-sky
cadavrous blue en tangle “n nous
Qatar blockaide reportant scent (Cordellier-Delanoue, re
à cette date doublement catahrr garding the Trib
subli révolutionnaire, nous éprouvions une Romantique, ib
strilated from the flesh un c ,risp certain id
SUV orgueil à nous dire: “J'était .)
phynance de la grande lutte! j'ai fai”
crost the boards, droned towrs
coolcased generators épée
clouds of storage oilfed ô froated chords eht
prompter dans le pit the slow
re-nounced ou smashed à “re–Artaud w
. . . th the imitative raptrous Cenci des (Derri
roches de concept of pounced en frénesie, cruel artériole da, i
visages étranges art, with the domination de, Macron résiduel de bid.)
la fracture du Aristotelean EU avec les masques mégaphonique , le pus
des perruques aesthetics in which en transd,unction ,bureau
aristo cratique the metaph” glissant dans luminescent de
fibrillator crescent manicule of must
bona fide re, slasher sans ,lationship à
personne or entity, convulsive ,dans
l'États United ,gesture ô casual
ties – re:
liberty liberty liberty
jobs jobs jobs morescent lavender as incest murder voix
wherein bulletsprayed wherein blockade
the burgeoning of bitten
buy buy buy
prompt frénétique avec le pit
the market swall owes barrels ex
it left the, blocking
to the wound, point
blanc
~~~~~~~~~~~~~~~~~~~~~~~^~
“scuits and... a machine-g . . . ooking office of the theatre of ope”
-Urmuz, 'Gayk'
Olchar E. Lindsann is a co-founder of the Post-NeoAbsurdist network, has published around forty books of poetry, critical theory, and avant-garde history, and has performed sound poetry across the US and UK. He is the editor of mOnocle-Lash Anti-Press and the journals in-Appropriated Press and Rêvenance: Hauntings from Underground Histories. He lives in Roanoke, Virginia where he teaches at a progressive alternative high school and co-organizes the AfterMAF Festival, and maintains several archive dedicated to various aspects of the contemporary and historical avant-garde.
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Post erior ex Tinction
~~@~~~~~~~~~~~~~~~~~~^~~300 digits flex atwitch
“fingers
amid
fingers.”
-mIEKAL aND, Svengali
~~~^~~
“phalanx will make a case for entertaining”
-Charles Fourier
~~^~~~~~~~~~~~~~~~~~~@~~
the spiiring catch-all ,limit hitched or
scrimming rashly in the ,tidal ,
in the progr
essive ,in the mire —en
the order dans the
even in the kitch—ens
dance upon the
foam of knuckles
wratched 4000 years
phalanxes closing
in to, batt le
phalanges closing
up on, ratt le
-pression stunned 2000
of the social hypnotised
(she intoned)
cette topia of fingers
dirt-itched writhedged ,f linched
descendant path dream
mirrored
eurydice cuckold descendant
incoherence rot-etched civil-
issed deja curate of eht northern crown
it no ,sand batt le
harmonic comb
ined it no, st
unned
in the confused
waves of skinbone series
in the shadow 80,000
the leap the
from the
leap
infernal
Clear
^^^^^^^^^^^^^^^^^
“a void around the king”
Pelissier, on 2 July, 1835.
~ ~ ~ ~
“iss us, rot the world as it may, y”
Galatea, on dit.
^^^^^^^^^^^^^^^^^
gallop or machine as
if Fieschi flailed in la danse frénetique
avec nous
nestle of golden tending
in the niege-curve sprintly
nerve-curled nueht nymph-sprung
,bracket
ed
visage typographique
page of pulses contrast d'amour gnaw
alabaster shivering avec nor ,past all
poltergeist extrapolation
in the barricaded veins
spattered gristle cross the slope of smoke
consclice demure ,eht law
Llullabbye
~^~^~^~^~^~^~^~^~^~^~^~^~^~^
“other's fury knew no bo”
-Lautréamont
~^~^~^~^~^~^~^~^~^~^~^~^~^~^
infested with divine exfoliation trash
it all your filiate rage
monoxide whisperer you, creeping, ash, be
tray fall mining rageous in the fast crisp floor
he thought: eht roaring palls
as if lenticular convulsions burst embraced your flaccid biped raging
in eht lash of slinting cough
rage
rattling lonely itna cumulus death
glove rage
endear or minting sorghum catalepsy
rage tarmac
bloated you
brace in gilgam furrows rage
Théâtre of Operation
~~~~~~~~~~~~~~~~~~~~~~~^~
“ s saines docctrines de la contre-révolution et de l'église,
et voici qu'audjourd'hui vous allez guerroyer en faveur
des saines doctrines d'Aristote. ”
-Nerval, Tribune Romantique, No. 2, April 1830
• • •
“ the theater of cruelty is not a representation. It is life
itself, in the extent to which life is unrepresentable.
Life is the nonrepresentable ori ”
-Derrida, 'The Theater of Cruelty and the Closure
of Representation' trans. Alan Bass
~^~~~~~~~~~~~~~~~~~~~~~~~
re pre
ton vol yr when
is sent con, vulsion
pulsion steepped in street ô
offal mired or gore
today
injour en splinters wrench
ô present sang lant wretch ô
gesture du faim volution cruel
wre portant fleuve l'é stage the poor
fumée àgainst, eht Walmart gluten
maissive sur, in missile asp soliloquy
ô doubly wrent
with teeth avec
or pride of thrashant scumble ,d
holy holy holy
thrembles of striated whimper à
phosphorescent spittle-sky
cadavrous blue en tangle “n nous
Qatar blockaide reportant scent (Cordellier-Delanoue, re
à cette date doublement catahrr garding the Trib
subli révolutionnaire, nous éprouvions une Romantique, ib
strilated from the flesh un c ,risp certain id
SUV orgueil à nous dire: “J'était .)
phynance de la grande lutte! j'ai fai”
crost the boards, droned towrs
coolcased generators épée
clouds of storage oilfed ô froated chords eht
prompter dans le pit the slow
re-nounced ou smashed à “re–Artaud w
. . . th the imitative raptrous Cenci des (Derri
roches de concept of pounced en frénesie, cruel artériole da, i
visages étranges art, with the domination de, Macron résiduel de bid.)
la fracture du Aristotelean EU avec les masques mégaphonique , le pus
des perruques aesthetics in which en transd,unction ,bureau
aristo cratique the metaph” glissant dans luminescent de
fibrillator crescent manicule of must
bona fide re, slasher sans ,lationship à
personne or entity, convulsive ,dans
l'États United ,gesture ô casual
ties – re:
liberty liberty liberty
jobs jobs jobs morescent lavender as incest murder voix
wherein bulletsprayed wherein blockade
the burgeoning of bitten
buy buy buy
prompt frénétique avec le pit
the market swall owes barrels ex
it left the, blocking
to the wound, point
blanc
~~~~~~~~~~~~~~~~~~~~~~~^~
“scuits and... a machine-g . . . ooking office of the theatre of ope”
-Urmuz, 'Gayk'
Olchar E. Lindsann is a co-founder of the Post-NeoAbsurdist network, has published around forty books of poetry, critical theory, and avant-garde history, and has performed sound poetry across the US and UK. He is the editor of mOnocle-Lash Anti-Press and the journals in-Appropriated Press and Rêvenance: Hauntings from Underground Histories. He lives in Roanoke, Virginia where he teaches at a progressive alternative high school and co-organizes the AfterMAF Festival, and maintains several archive dedicated to various aspects of the contemporary and historical avant-garde.
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