Anne Gorrick
(H)IN(D):SITE
(an ekphrastic poem written about the sculpture exhibition IN:SITE, shown on the grounds at the Century House Historical Society – home of the Widow Jane Mine - in Rosendale, NY during the summer of 2016)
I. Chinese Traditional
Cancel any compensation, implementation
There will be new wooden roses along the banks, digging their own holes
The first shovel test pit shows oak, frosted glass, bridges, pine trees, cherry-colored stars
Warning: this poem may contain a graphic image of a Tree of Heaven
Mining cement and girls = spirits and money
My address? Replace the old house with prayer flags, painting, writing and waste
It’s Russian fox vs. cardinal
Text specific mobile forests lightly painted in acrylic
We average out, recommend improvements and other games
We transport advantageously
Produce and install
See “History”
Poll: Would you buy a lamp made out of Tyvek?
She is private and sumac
monitoring the air layers
each square inch of plant life and its requisite equipment
Add your comments here:
Artists stay for each technology, new materials, participation
It’s a joint project accelerator: an artist’s studio and the idea of the artist
Let’s call this an Activity Survey and see process
new dialogue relations
Even this field is a painter, or a small role in related topics
Here and now, world history, a described mirror
There are phantoms in webs, books and mobile phone screens, photos and miners as well as a girl’s statement
The window is a synthesis of attention, assume direction and development of an image, as well as a night game
You have to be very, very
As we save, carbon is released
II. Finnish
The implementation of shells
soil storage, hole digging
The first shovel test shows time, currency
Artists move on forests, light acrylic sprayed on glass
Caves recommend their own improvements
and many other games average out
Favorable production – see the research
Poll: Tyvek vs. Light
Yarned dyed privately in a field of minor roles and related topics
Here and now, the world's history, artist, black and white, mirror this relationship, has been described as woodcarving
Phantom networks and phonescreens, photos and miners, both regional and historical
The window is an orientation of images related to a synthetic attention
You have to be very, very well for a night game and its carbons
III. Mongolian
Cancel these shells
Time can be graphic
when it’s installed in an old house
Russian Fox texts Cardinal
Photos move through the forest
See
Study
Text dyed both private and sumac, black walnut
Research the air layers
Add more comments here:
Anyone can process new materials
Participate, accelerate
a studio into an idea
IV. Portuguese
Preserve the soil and dig a hole
Shovel Test Pit #1 shows
oak
glass
cherry
pine
Time is graphic in a Tree of Heaven
It ghosts, this currency
writing and its debris
The main text moves the form of photography through a forest
A cave improvises many games
both personal and sumac
Add a cooler air layer here:
For a detailed description see: “Catalysts”
He asked the audience to interact with a new image in a dialog box
This area is not limited to the role of the artist or related topics
Here, now, in the history of the earth and the works of the artist he described this relationship in black and white, in mirrors + grey
Phantom as percentage of mesh and tulle and wire screen
Night games designed for attention, for carbon
V. Uzbek
Cancel the stars, their shells
Cancel their compensation, implementation
The first shovel test into a star reveals cherry, pine
a graphic of time
the ghost of currency
My address is my former home (at least I dream it that way)
prayer flags compete as installation, as garbage, as fox debris
The main text involves concrete
Move the form of the photograph
through the forest
through plexiglass light
through spray
a cave, an improvisation as well as many other games
I offer you a favorable image that you can also transport
into research and writing
Poll: Tyvek as light + what?
She removed a square foot of text from the ground
A factory adds layers of air
and ground investigation
plant and review
provide a detailed description
Process new materials, accommodate
Catalysts in ideas, in studios
He called on the public to interact with this dialogue
This poem is not limited to the role of artist or related topics
Windows offer an acrylic reimagining of night games
designed for the attention and direction of an image
We need to be very, very floaty when it comes to carbon
VI. Korean
Tree of Heaven
blood graphics
issue date
Location: small
Former house
Prayer flags in full installation
Painting, writing, garbage
Russo Fox Cardinal Debris
The main text = walk in the woods image
then photographs, a notebook
Paint sprayed in plexiglass light
The average OUT in a cave improvisation
the duo offers open
Enabling the same image from one invoice into transportation
See the research
Study square feet of land
Text, pieces of wood, factory made fabric, onion skin, input
Add a layer of air above the ground
Investigate each plant
Review detailed descriptions of the equipment
Black and white advertising, mirror, picture
A series of ghosts in screen mesh tulle thread
Soot carbon sailing
VII. Yoruba
What rewards your undoing
Our hides basically live indoors anymore so they don’t get damaged
Bark, star, nest
What was your date of publication?
Location: a small and previous home
with prayer flags full of installation
Find Rousseau in the debris of a fox/cardinal
A forest walk that burns. Carry a notebook
The spray paint & glass plexiglass light
number = other
An image, a traffic of dates from the date of invoice, allows the same thing:
Research and writing
Manufacture and installation
Consult the research
Study the square feet of land in a poem
Enter text, a piece of wood
Add layers from both the ground and the air
each a survey of the other
After a full review, the unit has been described in detail
Who is to be recycled?
A call to action in this small study of time
Here, now, and, B & W ad portraying the work of artists in the history of the relationship to this land, mirrors, pictures, woodcarving
Eidolon in tulle and thread and screen, not only in this region
Let’s play an acrylic-on-Masonite game
until there’s a discovery of subject
Reductions send soot sailing
VIII. Catalan
Sound makes a sculpture undo itself
Wooden diagonal, new hammer
Keep the soil by digging a hole
Notice the disorderspecies and their date of publication
Notice a seam of miners and cement and a woman, a ghost
Location: the small and previous, writing and its debris
Rousseau outfoxes a cardinal
Scrolling text, walking burns into a forest, the band closes in
Objects image and traffic from the date of invoice, allowing the same things
Study the square feet in a land poem
its typed text, its invasive sumacs
Reveal the layers of forest from air to ground
Study the square footage of each plant
Review a unit of each piece described in detail
Here, now, and, B & W ad portraying the mission of the artists in the history of the relationship to this land, mirrors, pictures together with woodcarving
Eidolons reduced to soot and screen, the history of geology, with games to draw our attention
IX. Arabic
Wood unmakes itself
its diagonals in bark and star
nest/mast/gate
Glass reflects “I was keeping the soil out by digging a hole”
Sky tree, species disorder
Scream sewn into dates
The location is small, previous
Rousseau found in the debris of a fox/cardinal
Concrete was uploaded, a walked forest burns in pictures
Joint improvisation emphasizes the “out” of a cave
and closes within
Things in a picture, traffics from the billdate, which allows for the same things
Survey: Tyvek or light?
Jointly we carve our ghosts into tulle and thread
regional and historical
Carbon cuts our candle soots
X. Japanese
Sculpt an unmaking into sound
in a nest made of stars, bark
in a lyric made of masts, gates
“I was soil saved by digging a hole” at the number 1 position
Tree of Heaven:
You are my disturbance species
I sew you into my scrims
Site: a tiny and previous building, paint samples, prayer flags, the debris from typing
Rousseaus in the waste of a fox/cardinal
Light sprayed onto plexiglass
improvises
the closing inside
The way things give way to themselves
Study square feet of the earth’s poem
Typewritten text, driftwood, twine, goldenrod
Reveal the layers of the forest from the air to the soil
We are recycled in collaboration
a new audience, that location
Advertise this story:
an expedition of artists in relationship to land, mirror, photo
We are jointly woodcarving
An assumed trend that can really be seen as an interruption in carbon, candle soot
Scan the forest for Tyvek and light
Anne Gorrick is a poet and visual artist.
She is the author of six books of poetry including The Olfactions: Poems on Perfume (BlazeVOX Books, 2017) and the forthcoming An Absence So Great and Spontaneous it is Evidence of Light (The Operating System, 2018). She co-edited (with poet Sam Truitt) In|Filtration: An Anthology of Innovative Writing from the Hudson River Valley (Station Hill Press, 2016). She collaborated with artist Cynthia Winika to produce a limited edition artists’ book, “Swans, the ice,” she said, funded by the Women’s Studio Workshop in Rosendale, NY and the New York Foundation for the Arts.
With poet Melanie Klein, she curates the reading series Process to Text, which focuses on innovative writing from in and around New York’s Hudson Valley. She previously curated the reading series Cadmium Text at R&F Handmade Paints in Kingston, NY from 2006-2014.
She also co-curated the electronic poetry journal Peep/Show with poet Lynn Behrendt (www.peepshowpoetry.blogspot.com), which is a “taxonomic exercise in textual and visual seriality.”
She is President of the Board of Trustees at Century House Historical Society, home of the Widow Jane Mine, an all-volunteer organization (www.centuryhouse.org) and site of the annual Subterranean Poetry Festival.
Anne Gorrick lives in West Park, New York.
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(H)IN(D):SITE
(an ekphrastic poem written about the sculpture exhibition IN:SITE, shown on the grounds at the Century House Historical Society – home of the Widow Jane Mine - in Rosendale, NY during the summer of 2016)
I. Chinese Traditional
Cancel any compensation, implementation
There will be new wooden roses along the banks, digging their own holes
The first shovel test pit shows oak, frosted glass, bridges, pine trees, cherry-colored stars
Warning: this poem may contain a graphic image of a Tree of Heaven
Mining cement and girls = spirits and money
My address? Replace the old house with prayer flags, painting, writing and waste
It’s Russian fox vs. cardinal
Text specific mobile forests lightly painted in acrylic
We average out, recommend improvements and other games
We transport advantageously
Produce and install
See “History”
Poll: Would you buy a lamp made out of Tyvek?
She is private and sumac
monitoring the air layers
each square inch of plant life and its requisite equipment
Add your comments here:
Artists stay for each technology, new materials, participation
It’s a joint project accelerator: an artist’s studio and the idea of the artist
Let’s call this an Activity Survey and see process
new dialogue relations
Even this field is a painter, or a small role in related topics
Here and now, world history, a described mirror
There are phantoms in webs, books and mobile phone screens, photos and miners as well as a girl’s statement
The window is a synthesis of attention, assume direction and development of an image, as well as a night game
You have to be very, very
As we save, carbon is released
II. Finnish
The implementation of shells
soil storage, hole digging
The first shovel test shows time, currency
Artists move on forests, light acrylic sprayed on glass
Caves recommend their own improvements
and many other games average out
Favorable production – see the research
Poll: Tyvek vs. Light
Yarned dyed privately in a field of minor roles and related topics
Here and now, the world's history, artist, black and white, mirror this relationship, has been described as woodcarving
Phantom networks and phonescreens, photos and miners, both regional and historical
The window is an orientation of images related to a synthetic attention
You have to be very, very well for a night game and its carbons
III. Mongolian
Cancel these shells
Time can be graphic
when it’s installed in an old house
Russian Fox texts Cardinal
Photos move through the forest
See
Study
Text dyed both private and sumac, black walnut
Research the air layers
Add more comments here:
Anyone can process new materials
Participate, accelerate
a studio into an idea
IV. Portuguese
Preserve the soil and dig a hole
Shovel Test Pit #1 shows
oak
glass
cherry
pine
Time is graphic in a Tree of Heaven
It ghosts, this currency
writing and its debris
The main text moves the form of photography through a forest
A cave improvises many games
both personal and sumac
Add a cooler air layer here:
For a detailed description see: “Catalysts”
He asked the audience to interact with a new image in a dialog box
This area is not limited to the role of the artist or related topics
Here, now, in the history of the earth and the works of the artist he described this relationship in black and white, in mirrors + grey
Phantom as percentage of mesh and tulle and wire screen
Night games designed for attention, for carbon
V. Uzbek
Cancel the stars, their shells
Cancel their compensation, implementation
The first shovel test into a star reveals cherry, pine
a graphic of time
the ghost of currency
My address is my former home (at least I dream it that way)
prayer flags compete as installation, as garbage, as fox debris
The main text involves concrete
Move the form of the photograph
through the forest
through plexiglass light
through spray
a cave, an improvisation as well as many other games
I offer you a favorable image that you can also transport
into research and writing
Poll: Tyvek as light + what?
She removed a square foot of text from the ground
A factory adds layers of air
and ground investigation
plant and review
provide a detailed description
Process new materials, accommodate
Catalysts in ideas, in studios
He called on the public to interact with this dialogue
This poem is not limited to the role of artist or related topics
Windows offer an acrylic reimagining of night games
designed for the attention and direction of an image
We need to be very, very floaty when it comes to carbon
VI. Korean
Tree of Heaven
blood graphics
issue date
Location: small
Former house
Prayer flags in full installation
Painting, writing, garbage
Russo Fox Cardinal Debris
The main text = walk in the woods image
then photographs, a notebook
Paint sprayed in plexiglass light
The average OUT in a cave improvisation
the duo offers open
Enabling the same image from one invoice into transportation
See the research
Study square feet of land
Text, pieces of wood, factory made fabric, onion skin, input
Add a layer of air above the ground
Investigate each plant
Review detailed descriptions of the equipment
Black and white advertising, mirror, picture
A series of ghosts in screen mesh tulle thread
Soot carbon sailing
VII. Yoruba
What rewards your undoing
Our hides basically live indoors anymore so they don’t get damaged
Bark, star, nest
What was your date of publication?
Location: a small and previous home
with prayer flags full of installation
Find Rousseau in the debris of a fox/cardinal
A forest walk that burns. Carry a notebook
The spray paint & glass plexiglass light
number = other
An image, a traffic of dates from the date of invoice, allows the same thing:
Research and writing
Manufacture and installation
Consult the research
Study the square feet of land in a poem
Enter text, a piece of wood
Add layers from both the ground and the air
each a survey of the other
After a full review, the unit has been described in detail
Who is to be recycled?
A call to action in this small study of time
Here, now, and, B & W ad portraying the work of artists in the history of the relationship to this land, mirrors, pictures, woodcarving
Eidolon in tulle and thread and screen, not only in this region
Let’s play an acrylic-on-Masonite game
until there’s a discovery of subject
Reductions send soot sailing
VIII. Catalan
Sound makes a sculpture undo itself
Wooden diagonal, new hammer
Keep the soil by digging a hole
Notice the disorderspecies and their date of publication
Notice a seam of miners and cement and a woman, a ghost
Location: the small and previous, writing and its debris
Rousseau outfoxes a cardinal
Scrolling text, walking burns into a forest, the band closes in
Objects image and traffic from the date of invoice, allowing the same things
Study the square feet in a land poem
its typed text, its invasive sumacs
Reveal the layers of forest from air to ground
Study the square footage of each plant
Review a unit of each piece described in detail
Here, now, and, B & W ad portraying the mission of the artists in the history of the relationship to this land, mirrors, pictures together with woodcarving
Eidolons reduced to soot and screen, the history of geology, with games to draw our attention
IX. Arabic
Wood unmakes itself
its diagonals in bark and star
nest/mast/gate
Glass reflects “I was keeping the soil out by digging a hole”
Sky tree, species disorder
Scream sewn into dates
The location is small, previous
Rousseau found in the debris of a fox/cardinal
Concrete was uploaded, a walked forest burns in pictures
Joint improvisation emphasizes the “out” of a cave
and closes within
Things in a picture, traffics from the billdate, which allows for the same things
Survey: Tyvek or light?
Jointly we carve our ghosts into tulle and thread
regional and historical
Carbon cuts our candle soots
X. Japanese
Sculpt an unmaking into sound
in a nest made of stars, bark
in a lyric made of masts, gates
“I was soil saved by digging a hole” at the number 1 position
Tree of Heaven:
You are my disturbance species
I sew you into my scrims
Site: a tiny and previous building, paint samples, prayer flags, the debris from typing
Rousseaus in the waste of a fox/cardinal
Light sprayed onto plexiglass
improvises
the closing inside
The way things give way to themselves
Study square feet of the earth’s poem
Typewritten text, driftwood, twine, goldenrod
Reveal the layers of the forest from the air to the soil
We are recycled in collaboration
a new audience, that location
Advertise this story:
an expedition of artists in relationship to land, mirror, photo
We are jointly woodcarving
An assumed trend that can really be seen as an interruption in carbon, candle soot
Scan the forest for Tyvek and light
Anne Gorrick is a poet and visual artist.
She is the author of six books of poetry including The Olfactions: Poems on Perfume (BlazeVOX Books, 2017) and the forthcoming An Absence So Great and Spontaneous it is Evidence of Light (The Operating System, 2018). She co-edited (with poet Sam Truitt) In|Filtration: An Anthology of Innovative Writing from the Hudson River Valley (Station Hill Press, 2016). She collaborated with artist Cynthia Winika to produce a limited edition artists’ book, “Swans, the ice,” she said, funded by the Women’s Studio Workshop in Rosendale, NY and the New York Foundation for the Arts.
With poet Melanie Klein, she curates the reading series Process to Text, which focuses on innovative writing from in and around New York’s Hudson Valley. She previously curated the reading series Cadmium Text at R&F Handmade Paints in Kingston, NY from 2006-2014.
She also co-curated the electronic poetry journal Peep/Show with poet Lynn Behrendt (www.peepshowpoetry.blogspot.com), which is a “taxonomic exercise in textual and visual seriality.”
She is President of the Board of Trustees at Century House Historical Society, home of the Widow Jane Mine, an all-volunteer organization (www.centuryhouse.org) and site of the annual Subterranean Poetry Festival.
Anne Gorrick lives in West Park, New York.
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