Jessie Janeshek
Grateful for Dissonance/This Month of Strong Thinking
Snake Rhyme/Snake Magic
I graduate violence your blood wolf at breakfast
sausaged, heavy-metaled in my Cure sweatshirt.
as you ring the bedstead
watching soap operas prom pictures reflected
on the face of the wall Swatch
as you eat the space cakes
side ponytail crimped
your strawberry lip gloss oleaginous
in its red carrying case.
Our mother’s pink-robed
her hair frayed like a hound in a bad country ballad
and I no longer believe in your deep cuts
your Magic Moves Barbie your hot pink play bus.
The dead school girl interpolates
marry fuck kill
wills us her innocent
Love’s Babysoft scents
but our neighbor boy moons us
calls you nightgown whore
ignoring your backbrace.
Remember How Sex
sparked in the fry pan
my husband passed on?
We cauterized
the cobbler’s baba
and his bullet wound?
We shot ourselves
some marginal rabbit?
We bottled the toddler
shut the two-headed kitten
in a cigarette case?
I knew I could trust
our three lumps, your smoke
and my buckshot. Then you
ate my faith with a spoon.
There Is an Old Woman
refusing jade-fingered
to break for small deaths
as we hang naked from rings in the basement
over the toolbench the puppet collection
the orange beanbag Dad’s catfood
the vein diagram.
Menstruation’s convivial madness
little red riding. It gives us surrealism
a blue-themed moon pounding
a bridge, locust-crisp
a Saint Catherine’s wheel
to fill in when we don’t need a nanny. She steers too shaky
her blood-streaked hair gamey.
She screams graveyard!
and in our bedroom the Cabbage Patch Kids
reach out to touch their lavender flares.
We spray-paint them itchy
stick-pin-pierce their ears.
We shoplift tears and a glittery haircut
rocks in our eyes. And the lawnmower blade
decapitates the kitsch jewelry maker
and we’re so scared of pipesmoke and potions
that the Cure sweatshirt
will make a parachute
as we jump iridescent
from the cardboard age.
It Gets to Where I Eat
Snake Rhyme
Jessie Janeshek's chapbooks are Spanish Donkey/Pear of Anguish (Grey Book Press, 2016), Rah-Rah Nostalgia (dancing girl press, 2016), and Hardscape (Reality Beach, forthcoming, 2017). Her full-length collection of poems is Invisible Mink (Iris Press, 2010). An Assistant Professor of English and the Director of Writing at Bethany College (West Virginia, USA), she holds a Ph.D. from the University of Tennessee-Knoxville and an M.F.A. from Emerson College. She co-edited the literary anthology Outscape: Writings on Fences and Frontiers (KWG Press, 2008). You can read more of her poetry at jessiejaneshek.net.
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Grateful for Dissonance/This Month of Strong Thinking
I’m in love with your new hair and lopsided breasts the need to be spanked want to take you at night in this pocket of plush swallow bird spikes in long stockings. I squeeze my thighs shut tremble above the punches and blood. The mood of my corpse does not matter in saccharine mouthfuls of pills. The snakes wear the bedclothes as capes as I hesitate to burn the wench costume wean myself off polar sleep.
Snake Rhyme/Snake Magic
I graduate violence your blood wolf at breakfast
sausaged, heavy-metaled in my Cure sweatshirt.
as you ring the bedstead
watching soap operas prom pictures reflected
on the face of the wall Swatch
as you eat the space cakes
side ponytail crimped
your strawberry lip gloss oleaginous
in its red carrying case.
Our mother’s pink-robed
her hair frayed like a hound in a bad country ballad
and I no longer believe in your deep cuts
your Magic Moves Barbie your hot pink play bus.
The dead school girl interpolates
marry fuck kill
wills us her innocent
Love’s Babysoft scents
but our neighbor boy moons us
calls you nightgown whore
ignoring your backbrace.
Remember How Sex
sparked in the fry pan
my husband passed on?
We cauterized
the cobbler’s baba
and his bullet wound?
We shot ourselves
some marginal rabbit?
We bottled the toddler
shut the two-headed kitten
in a cigarette case?
I knew I could trust
our three lumps, your smoke
and my buckshot. Then you
ate my faith with a spoon.
There Is an Old Woman
refusing jade-fingered
to break for small deaths
as we hang naked from rings in the basement
over the toolbench the puppet collection
the orange beanbag Dad’s catfood
the vein diagram.
Menstruation’s convivial madness
little red riding. It gives us surrealism
a blue-themed moon pounding
a bridge, locust-crisp
a Saint Catherine’s wheel
to fill in when we don’t need a nanny. She steers too shaky
her blood-streaked hair gamey.
She screams graveyard!
and in our bedroom the Cabbage Patch Kids
reach out to touch their lavender flares.
We spray-paint them itchy
stick-pin-pierce their ears.
We shoplift tears and a glittery haircut
rocks in our eyes. And the lawnmower blade
decapitates the kitsch jewelry maker
and we’re so scared of pipesmoke and potions
that the Cure sweatshirt
will make a parachute
as we jump iridescent
from the cardboard age.
It Gets to Where I Eat
nothing and drink whiskey. Dolly shreds the funny papers the big girl scrubs brown cups the puppy in the stockyard barking bitterness and fat. It gets to where I ricochet between a triangle, an eyepatch and the milkmaid sorts the curses begs me to unpack. Dolly will not mop, the barn’s orange anatomy soft as a Nerf ball. It gets to if you loved me you would stage my loneliness throw me to the rain let the grass concern and the wasps’ nest shriek. You would hold my hair back outside at the gravesite where birds eat acetaminophen and there’s no time like this present red dogs on the fence.
Snake Rhyme
There was an old woman on our fainting couch We called yellow foxes with olive parabolas. came to advise in the gummy autumnal. said No Ouija when you’re sick so drop a rock on her blank grave but we let Dolly’s fossils | before we cried pulpit and she snowglobed Dolly. clinking our leashes There was an old woman rutting, proper sunlight She put mom in the thermometer and Dolly is your gutter culprit and chalk sex on the concrete sing the blues inside her cage. |
Jessie Janeshek's chapbooks are Spanish Donkey/Pear of Anguish (Grey Book Press, 2016), Rah-Rah Nostalgia (dancing girl press, 2016), and Hardscape (Reality Beach, forthcoming, 2017). Her full-length collection of poems is Invisible Mink (Iris Press, 2010). An Assistant Professor of English and the Director of Writing at Bethany College (West Virginia, USA), she holds a Ph.D. from the University of Tennessee-Knoxville and an M.F.A. from Emerson College. She co-edited the literary anthology Outscape: Writings on Fences and Frontiers (KWG Press, 2008). You can read more of her poetry at jessiejaneshek.net.
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