Dion Farquhar
elegiac aristos
a quaint critique
free agents with no choice
best practices bots
Pandora-playing pods
vector complete victory
without which one cannot function
what is, [privatization]
not the new ought
what was, [social movements]
fading into amnesia
survivorship
job training [liberal arts]
market value
stealth bots like women
needing the very care they end up providing
surveillance metrics
termite capitalization of even laminate
end up in a crowded lounge
Sesame Street Lambda MOO
sit on the sofa
get up to dance
fight enemies
chat stockpile stuff
informatics crossed
with new age evanescence
customizing
skills and struggles
guilt being self-interest turned inside out
Homer humming to themselves:
Sing to me of the man Muse
the man of twists and turns
driven time and again
happily off course
in love with L’s reversal of S’ sign to signifier
reflection theory slipped into reverse
resistance the mother of invention
remaining fem while struggling
out of the backseat of a compact car
envying the butches their pickups
toppling relations
the slam lay bare belief
nothing ever transparent
or self-evident
least of all the self
forget others
wholly constructed out of genre
the essential unity of a political subject
sad but true this good news
fighting fire with fire
categories complicitous
posit:
the perennial carrot
and the stasis stick
incitements to being an asshole
public private
inside outside
the body not a brick wall
fruit flies forever foiling
fusing Foucault’s ixnay:
law knows it can’t win
to history’s back end
zero degree wrecks
Derrida translates:
pecking orders passed off as nature
the way to get on
Ann of Amherst taught me
in a discourse you’re puzzled by
is to repeat the word
you don’t understand
now as a verb
and at the same time
change the verb
to something else
coaching Cordelias
in cunning copping
to obey a higher power
(such as that is)
an other one
my plasticination with the lawyers
gliding through the hushed exhibit
18th-century French engravings
flayed people, part-furniture
a striding armoire, drawers open in his chest
one vibrant, digitally-processed, triumphant
cadaver holds his sliced slabs of skin aloft
another poised mid-action—running, flamboyantly gesturing,
astride a horse
always already
ambivalent
pagan to the core a good thing
but not enough
relationship junkie
craving what’s killing her
lover nada next
triumphal crucifixions
bred in the bone
music art the rush of theory
how else to explain no self-respect
stirred up by wanting
in love with abjection
acting as audience
advisor, psychiatric nurse
in thrall to promises excuses
narcissism the bottom line
francophile Nietzschean
despite shrinking diminution
though hindsight is everything
high above Sheridan Square
a few nights good talk enough
to fuel a frenzy
unwavering denial
(it wasn’t the appallingly bad sex)
but all in her head anyway
the swine even called on the sly
(before cell phones you had to be home to get the call)
while the his date
was in the bathroom putting on lipstick
this message in modern parlance
needing both a header and a body
nailed to environment
half an essence like genes
though we’re all a clueless reaction formation
still struggling to distinguish work from labor
Labor Day a Monday off and a carpet sale at ABC
decades later, still the abysmal whine
he said, I said, he said, I said
incredulous what women—
what she—I—put up with
on a denial binge break
from the reign of loss
bread and circuses
doing it always a little askew of the fantasy
even recollection’s
always insufficient evidence
and the daily roller coaster ride
a subway ride to the dentist
despite being too broke to cross the Atlantic
more out there than ever
archipelagos awash
in contradiction
the left coast
my discount cashmere
fabrikayed in Cambodia
still wanting
more than anything
to believe
every path’s a relay
you are everywhere dead
in the nano-second before despair
haplessness coupling with hope
a forgivable lapse
credulous re charity
panaceas of the titular
actual forces made me
a hired hand, living in the smoke house
working for oblivious ingrates
straddling the seam
of disposability
go unaddressed as static
generating an electric confusion
ejection fraction
Mourner in a theater
You brought me soup when I was sick last winter.
need born of service
swallowing chronic sufferance
if not outright bullying
exempting their position
in a crisis, an exacerbation
of symptoms is not unusual
being called a worthless mangy dog
by the boss’ daughter
an escalation
at least, clarity
one son fell off a babysitter’s van.
the same year
he pushed a playmate off the top bunk
the gated red brick strip mall
propelling
amnesia into the default
desert island
fields forgotten
Green practices
absence paved
parent critters, woods
stumping for the ledger book
itemized investments
visibly marked
elided by identity
redemption shrunk to testimony
denial froze out forgetting
the Cloud’s wafting slowly
over sunbathers at Rockaway Beach
connectivity
now blanket to blanket
The true beginnings of nothing but the Supermarket*
In this foul country where
human lives are so much trash
—Charles Olsonfluorescent Protein Bunny (green)
beefalo and geep
click and brick retailing
transgenic runway
horror
the end of study
let me know
my expanded pigeons
much virtue in if
be tea dubs
Billy Budd discovered in a breadbox
Olson wrote spinning down the page
nature special narrator
all hail the TV
before the monitor
dispassionately droning
hunters and hunted
birds with five-feet wing spans
swooping down
to pick pick pocket-sized puffins
out of their cliff-side nests
what do I know of nature
in the anthropocene
my five-flight walk-up
on the lower east side
falling apart apartment
a real bed is off the floor
a few trees over by the river
across the FDR Drive
that still go through the cycle:
orange yellow red in fall
brown sticks in winter
virid buds in spring
Bukowski flew to Galveston
eff why eye
I took the express bus to East Stroudsberg
married man open marriage
crock of shit
what models
tweak one’s doppelganger
the grins of the text
_____
*Charles Olson, Collected Prose, “Equal, That is, to the Real Itself”
Dion Farquhar has recent poems in Unbroken, Local Nomad, Columbia Poetry Review, Shampoo, moria, Shifter, BlazeVOX, etc. Her second poetry book Wonderful Terrible was published last year by Main Street Rag Publishing Company, and her second chapbook Snap is in press at Crisis Chronicles Press. She works as an exploited adjunct at two universities, teaching mostly composition but still loves the classroom. A New York transplant, she still misses her friends and family back east, off-off Broadway theater, and live baroque.
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Who knew what we had til we lost itYield
elegiac aristos
a quaint critique
free agents with no choice
best practices bots
Pandora-playing pods
vector complete victory
without which one cannot function
what is, [privatization]
not the new ought
what was, [social movements]
fading into amnesia
survivorship
job training [liberal arts]
market value
stealth bots like women
needing the very care they end up providing
surveillance metrics
termite capitalization of even laminate
old-style spawn in a closetDarwinning
end up in a crowded lounge
Sesame Street Lambda MOO
sit on the sofa
get up to dance
fight enemies
chat stockpile stuff
informatics crossed
with new age evanescence
customizing
skills and struggles
guilt being self-interest turned inside out
Homer humming to themselves:
Sing to me of the man Muse
the man of twists and turns
driven time and again
happily off course
in love with L’s reversal of S’ sign to signifier
reflection theory slipped into reverse
resistance the mother of invention
remaining fem while struggling
out of the backseat of a compact car
envying the butches their pickups
toppling relations
the slam lay bare belief
nothing ever transparent
or self-evident
least of all the self
forget others
wholly constructed out of genre
the essential unity of a political subject
sad but true this good news
fighting fire with fire
categories complicitous
posit:
the perennial carrot
and the stasis stick
incitements to being an asshole
public private
inside outside
the body not a brick wall
fruit flies forever foiling
fusing Foucault’s ixnay:
law knows it can’t win
to history’s back end
zero degree wrecks
Derrida translates:
pecking orders passed off as nature
the way to get on
Ann of Amherst taught me
in a discourse you’re puzzled by
is to repeat the word
you don’t understand
now as a verb
and at the same time
change the verb
to something else
coaching Cordelias
in cunning copping
to obey a higher power
(such as that is)
an other one
failure to calendarSalvage Resurrection
my plasticination with the lawyers
gliding through the hushed exhibit
18th-century French engravings
flayed people, part-furniture
a striding armoire, drawers open in his chest
one vibrant, digitally-processed, triumphant
cadaver holds his sliced slabs of skin aloft
another poised mid-action—running, flamboyantly gesturing,
astride a horse
always already
ambivalent
this penne con crema di cipollaI lost my Devo tape to the bastard
pagan to the core a good thing
but not enough
relationship junkie
craving what’s killing her
lover nada next
triumphal crucifixions
bred in the bone
music art the rush of theory
how else to explain no self-respect
stirred up by wanting
in love with abjection
acting as audience
advisor, psychiatric nurse
in thrall to promises excuses
narcissism the bottom line
francophile Nietzschean
despite shrinking diminution
though hindsight is everything
high above Sheridan Square
a few nights good talk enough
to fuel a frenzy
unwavering denial
(it wasn’t the appallingly bad sex)
but all in her head anyway
the swine even called on the sly
(before cell phones you had to be home to get the call)
while the his date
was in the bathroom putting on lipstick
this message in modern parlance
needing both a header and a body
nailed to environment
half an essence like genes
though we’re all a clueless reaction formation
still struggling to distinguish work from labor
Labor Day a Monday off and a carpet sale at ABC
decades later, still the abysmal whine
he said, I said, he said, I said
incredulous what women—
what she—I—put up with
on a denial binge break
from the reign of loss
bread and circuses
doing it always a little askew of the fantasy
even recollection’s
always insufficient evidence
and the daily roller coaster ride
a subway ride to the dentist
despite being too broke to cross the Atlantic
more out there than ever
archipelagos awash
in contradiction
the left coast
my discount cashmere
fabrikayed in Cambodia
still wanting
more than anything
to believe
every path’s a relay
Where I live in my headOklahoma!
you are everywhere dead
in the nano-second before despair
haplessness coupling with hope
a forgivable lapse
credulous re charity
panaceas of the titular
actual forces made me
a hired hand, living in the smoke house
working for oblivious ingrates
straddling the seam
of disposability
go unaddressed as static
generating an electric confusion
ejection fraction
Mourner in a theater
You brought me soup when I was sick last winter.
need born of service
swallowing chronic sufferance
if not outright bullying
exempting their position
in a crisis, an exacerbation
of symptoms is not unusual
being called a worthless mangy dog
by the boss’ daughter
an escalation
at least, clarity
one son fell off a babysitter’s van.
the same year
he pushed a playmate off the top bunk
the gated red brick strip mall
propelling
amnesia into the default
desert island
fields forgotten
Green practices
absence paved
parent critters, woods
stumping for the ledger book
itemized investments
visibly marked
elided by identity
redemption shrunk to testimony
denial froze out forgetting
the Cloud’s wafting slowly
over sunbathers at Rockaway Beach
connectivity
now blanket to blanket
The true beginnings of nothing but the Supermarket*
In this foul country where
human lives are so much trash
—Charles Olson
beefalo and geep
click and brick retailing
transgenic runway
horror
the end of study
let me know
my expanded pigeons
much virtue in if
be tea dubs
Billy Budd discovered in a breadbox
Olson wrote spinning down the page
nature special narrator
all hail the TV
before the monitor
dispassionately droning
hunters and hunted
birds with five-feet wing spans
swooping down
to pick pick pocket-sized puffins
out of their cliff-side nests
what do I know of nature
in the anthropocene
my five-flight walk-up
on the lower east side
falling apart apartment
a real bed is off the floor
a few trees over by the river
across the FDR Drive
that still go through the cycle:
orange yellow red in fall
brown sticks in winter
virid buds in spring
Bukowski flew to Galveston
eff why eye
I took the express bus to East Stroudsberg
married man open marriage
crock of shit
what models
tweak one’s doppelganger
the grins of the text
_____
*Charles Olson, Collected Prose, “Equal, That is, to the Real Itself”
Dion Farquhar has recent poems in Unbroken, Local Nomad, Columbia Poetry Review, Shampoo, moria, Shifter, BlazeVOX, etc. Her second poetry book Wonderful Terrible was published last year by Main Street Rag Publishing Company, and her second chapbook Snap is in press at Crisis Chronicles Press. She works as an exploited adjunct at two universities, teaching mostly composition but still loves the classroom. A New York transplant, she still misses her friends and family back east, off-off Broadway theater, and live baroque.
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