Texas Fontanella

[untitled]

otics,
restoring counter-tendencies - the original
liar); yet lyre sings to the mind so immediately
(the exalted selec-                          sation to
sive”; the section Burroughs selects from
shot 1 of the shot/reverse shot for-
edly (T 50). This image of unreach-
ior”. Burroughs has similarly stated,
few films confine        terms of habitabili-
rors the movement of the individual toward
the camera stops moving to frame the pro-
thetic” object,         a piece    of sculpture;
sub                                                    sidiary

                                                                                                          absence
/ unbalanced,,             lights, neons   
to prove the relative absence of                             play
Freud                                     rage
and playing them back deform                                  a      t
aldehydes them, they are gone                         i
tradictions discussed above. It is   
im                                          poster.

                                                                                                                       facing
facing up to the so   cio        cific
turn of the screw    bol          ting
de                sire to the    lack of po
suturing over the wound of
castration

                    pec    
u    
liar
ly    

re   
quires dreaming of repre
                                                                                     it
ducibility in the former. To pry 
an object from its shell, to destroy its aura, is the
error

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