Jessie Janeshek
Orifice Overture Our Horsekeeper’s Daughter
Yvonne saw life through low-knobbed Dutch doors
could have grown up
a parasoled whore dead from cancer.
Pre-shatter, she’s glimpsing one geisha wig
one asp one bombardier jacket.
Loose Jezebel, Zephyr
make do with two scoops
of alkaline dull sewing needles
one “time is a horserace.”
Even in pieces Yvonne can’t forget it.
Musée Poupée
Jezebel and Zephyr prie-dieued on rugs
trading lace gloves
blueberry doilies
and St. Germaine prayer cards embroidered with pearls.
In one illustration
the candleflames lulled
the lavender stars above Germ’s febrile shoulders
brown hair, cello eyes
and a lamb face
no more than a mother could love.
The two bebés catechized berry
as the Battenberg ghosts burned Germaine down and out
sprinkled her velveteen ash in the fireplace.
How to Imagine Zephyr in Summer
Out of the house needing to bleed
French girlette knock-kneed in striped stockings knocking
something to prop up the jalousie windows
(I’ve been writing a lot
Jezebel mutters
breaking my blue spells
draining to yellow
a hairy woman named Beth
blonde bubble cut
big-lipped weeps the boat
steering my fever
Dust’s making everyone struggle unsneeze
as Zephyr swims up from the grave to shout “firefly!”
Not so hard to make such a life
unspeakable cabins everything rose-rot
(The hirsute nurse warns me, stay safe
but desperate thoughts tentacle
take the shape of this sickness
under the clock…
Chronopoem Contrejour
In this version, Zephyr taxis toward cabaret
icily cramming the mimes in the rear of the catcar
Tap dancing fruit planted one pinky on piano
Jezebel’s sweating past decadent
treble tropigal threat
Jessie Janeshek's first book of poems is Invisible Mink (Iris Press, 2010). An Assistant Professor of English and Director of Writing Across the Curriculum at Bethany College, she holds a Ph.D. from the University of Tennessee-Knoxville and an M.F.A. from Emerson College. She co-edited the literary anthology Outscape: Writings on Fences and Frontiers (KWG Press, 2008).
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Orifice Overture Our Horsekeeper’s Daughter
Yvonne saw life through low-knobbed Dutch doors
could have grown up
a parasoled whore dead from cancer.
Pre-shatter, she’s glimpsing one geisha wig
one asp one bombardier jacket.
Loose Jezebel, Zephyr
make do with two scoops
of alkaline dull sewing needles
one “time is a horserace.”
Even in pieces Yvonne can’t forget it.
Musée Poupée
Jezebel and Zephyr prie-dieued on rugs
trading lace gloves
blueberry doilies
and St. Germaine prayer cards embroidered with pearls.
In one illustration
the candleflames lulled
the lavender stars above Germ’s febrile shoulders
brown hair, cello eyes
and a lamb face
no more than a mother could love.
The two bebés catechized berry
as the Battenberg ghosts burned Germaine down and out
sprinkled her velveteen ash in the fireplace.
How to Imagine Zephyr in Summer
Out of the house needing to bleed
French girlette knock-kneed in striped stockings knocking
something to prop up the jalousie windows
(I’ve been writing a lot
Jezebel mutters
breaking my blue spells
draining to yellow
a hairy woman named Beth
blonde bubble cut
big-lipped weeps the boat
steering my fever
Dust’s making everyone struggle unsneeze
as Zephyr swims up from the grave to shout “firefly!”
Not so hard to make such a life
unspeakable cabins everything rose-rot
(The hirsute nurse warns me, stay safe
but desperate thoughts tentacle
take the shape of this sickness
under the clock…
Chronopoem Contrejour
In this version, Zephyr taxis toward cabaret
icily cramming the mimes in the rear of the catcar
Tap dancing fruit planted one pinky on piano
Jezebel’s sweating past decadent
treble tropigal threat
Jessie Janeshek's first book of poems is Invisible Mink (Iris Press, 2010). An Assistant Professor of English and Director of Writing Across the Curriculum at Bethany College, she holds a Ph.D. from the University of Tennessee-Knoxville and an M.F.A. from Emerson College. She co-edited the literary anthology Outscape: Writings on Fences and Frontiers (KWG Press, 2008).
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