Susan Gangel
Santa Fe Rides
10 stops along the way
One
(She was) falling, falling out of my car and
the stallions could not
stem their hot breath—
all the red dirt (was) in piles near the road
Two
(They explore) old firmament, a brick or two
lying about under the sign of the crucifix.
Wood and the clay pots interacting –
all birds in one direction
Three
Total skyward
aspirations, a mucked up puddle
beside the old schoolmarm’s portrait
Abacus of popcorn
:dresses torn and full of pockets
Four
What could not enter was called Form
In the foothills, a tiny village, with hope and sacrificial
steps
Blessed be the interloper, all dusty after her ride
exit sign sputters, shorts out for good
Five
Bell weathers hail the small
birds in summer winds
(They fly over)
little buckets of sand
Six
slang words, a bonfire,
flames
around a hut
miles of flat and barely planted fields
Seven
Interlocking surfaces UPSET THE STATUS of the lawn
Behold the cringing antelope, all tails and snout
But (why these) puzzles at the waterhole?
(Why that) dust flying on the mighty plains?
Eight
Abolish all trace of the mystic
try ridges toward the Southwest mesas –
a cactus with falling needles
the change of seasons just a remnant of some dancing tribal lord
Nine
Next year seems so far away, and yet she longs to book another tour
If she went home
the tall cedars (would) swim in sunlight – the river (would turn)
back again and again
Ten
Fortitude is given over freely
It’s different on the desert, different than all
of childhood, different than all the heart’s unknowing
scattered in the air
Susan Gangel is a citizen and painter of San Francisco. She has collaborated with the photographer Terry Turrentine on vispo for Otoliths, and published work in HowEver, CLNWRS, blueprint, sfpeaceandhope, Rooms, & More Rooms. Her books for Co-Lab Press with Kit Kennedy include Inconvenience, Constellations, and Intentions.
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Santa Fe Rides
10 stops along the way
One
(She was) falling, falling out of my car and
the stallions could not
stem their hot breath—
all the red dirt (was) in piles near the road
Two
(They explore) old firmament, a brick or two
lying about under the sign of the crucifix.
Wood and the clay pots interacting –
all birds in one direction
Three
Total skyward
aspirations, a mucked up puddle
beside the old schoolmarm’s portrait
Abacus of popcorn
:dresses torn and full of pockets
Four
What could not enter was called Form
In the foothills, a tiny village, with hope and sacrificial
steps
Blessed be the interloper, all dusty after her ride
exit sign sputters, shorts out for good
Five
Bell weathers hail the small
birds in summer winds
(They fly over)
little buckets of sand
Six
slang words, a bonfire,
flames
around a hut
miles of flat and barely planted fields
Seven
Interlocking surfaces UPSET THE STATUS of the lawn
Behold the cringing antelope, all tails and snout
But (why these) puzzles at the waterhole?
(Why that) dust flying on the mighty plains?
Eight
Abolish all trace of the mystic
try ridges toward the Southwest mesas –
a cactus with falling needles
the change of seasons just a remnant of some dancing tribal lord
Nine
Next year seems so far away, and yet she longs to book another tour
If she went home
the tall cedars (would) swim in sunlight – the river (would turn)
back again and again
Ten
Fortitude is given over freely
It’s different on the desert, different than all
of childhood, different than all the heart’s unknowing
scattered in the air
Susan Gangel is a citizen and painter of San Francisco. She has collaborated with the photographer Terry Turrentine on vispo for Otoliths, and published work in HowEver, CLNWRS, blueprint, sfpeaceandhope, Rooms, & More Rooms. Her books for Co-Lab Press with Kit Kennedy include Inconvenience, Constellations, and Intentions.
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