Travis Cebula
Recalling things that other people have desired
Is it like this
up three floors
the terraces
hum with honey-
bees on trumpet
vines and sanguine
geraniums.
it was not
my window,
Angel, dear.
I was not
(the sheen of dew ere the sun ascends over Haussman’s structure)
strolling
the Rue Buci.
I plagiarized
these flowers from the right
bank, these bees. you see,
they
coat the whole city
in pollen, so
no one
will ever know
I’ve stolen, but you
and your nose.
Exploring hands encounter no defence
we must accomplish some
goals in life from a respectful
distance. for instance,
on hot afternoons I eat
by proxy. a middle-aged man who
rolls up his sleeves weaves
a smile for his wife across
the table. across the street,
his roasted chicken, it proposes
itself. delicious. but my salad
is too close. this edge of an egg,
thin mustard, ham. I could
plunge my hands deep into
these green leaves. peel the skin
from a wedge of tomato. cool
pink, though it would feel warmer
than expected. a kiss just out
of reach. suspended. somehow
like birds, like birds live
without ground. no hard world
to contend with. nothing but air
to touch for days on end.
except for rain. high up, near
the most fragile clouds, aircraft
come and go. in one plane or
another plane, in the beaks of rooks upon
rooks, all black silhouettes and some—
I think—some are soaring home.
Travis Cebula currently resides with his wife and trusty dog in Colorado, where he founded Shadow Mountain Press in 2009. His poems, photographs, essays, and stories have appeared internationally in various print and on-line journals. He is the author of six chapbooks of poetry, including Blossoms from Nothing from E·Ratio, as well as four full-length collections. The most recent of which, One Year in a Paper Cinema, is forthcoming soon from BlazeVOX Books. In 2011, Western Michigan University and Charles University in Prague awarded him the Pavel Srut Fellowship for Poetry. In addition to his writing, publishing, and editing duties, he is a member of the permanent writing faculty at the Left Bank Writer's Retreat in Paris, France.
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Recalling things that other people have desired
my Angel, can you believe sailboats race from the hands of children? they spray giggles in the shape of pink sails and fill the pool as the pool’s fountain sprays water over Luxembourg Gardens. this is the center. and pigeons’ feet scratch through white gravel, an angry motion without bread. this Sunday is nothing Seurat saw, or I am a fool. gulls fly much too quickly and toy boats sprout antennas as well as the usual sticks. a painting in motion, years ago, allowed Hemingway to stroll through. but he never seemed to stay, even in winter. even if given an excuse for brandy. but I am not Hemingway, Angel, and this is not winter. I will sit in a green chair, watching each palm tree sway in its own box. if I return, tomorrow, the children will have taken away their toys. can you believe one day matters? this Monday will be emptier. |
Is it like this
up three floors
the terraces
hum with honey-
bees on trumpet
vines and sanguine
geraniums.
it was not
my window,
Angel, dear.
I was not
(the sheen of dew ere the sun ascends over Haussman’s structure)
strolling
the Rue Buci.
I plagiarized
these flowers from the right
bank, these bees. you see,
they
coat the whole city
in pollen, so
no one
will ever know
I’ve stolen, but you
and your nose.
Exploring hands encounter no defence
we must accomplish some
goals in life from a respectful
distance. for instance,
on hot afternoons I eat
by proxy. a middle-aged man who
rolls up his sleeves weaves
a smile for his wife across
the table. across the street,
his roasted chicken, it proposes
itself. delicious. but my salad
is too close. this edge of an egg,
thin mustard, ham. I could
plunge my hands deep into
these green leaves. peel the skin
from a wedge of tomato. cool
pink, though it would feel warmer
than expected. a kiss just out
of reach. suspended. somehow
like birds, like birds live
without ground. no hard world
to contend with. nothing but air
to touch for days on end.
except for rain. high up, near
the most fragile clouds, aircraft
come and go. in one plane or
another plane, in the beaks of rooks upon
rooks, all black silhouettes and some—
I think—some are soaring home.
Travis Cebula currently resides with his wife and trusty dog in Colorado, where he founded Shadow Mountain Press in 2009. His poems, photographs, essays, and stories have appeared internationally in various print and on-line journals. He is the author of six chapbooks of poetry, including Blossoms from Nothing from E·Ratio, as well as four full-length collections. The most recent of which, One Year in a Paper Cinema, is forthcoming soon from BlazeVOX Books. In 2011, Western Michigan University and Charles University in Prague awarded him the Pavel Srut Fellowship for Poetry. In addition to his writing, publishing, and editing duties, he is a member of the permanent writing faculty at the Left Bank Writer's Retreat in Paris, France.
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