Charles Borkhuis
DEAD RECKONING II:
Only in Metaphor May We Meet
1
a woman the size of an ant
is slowly climbing up my right toe
magnified 50x her eyes appear angry
have I changed that much or has she
turn to the next heat-seeking headline
“door-to-door combat at nursing home”
“bomb found inside talking doll”
“land mine awakens under child’s foot”
“greenland swallowed by the sea”
the tiny woman has just poked a hole
through the obituary page
and is crawling up my inner thigh
2
lost on a train of thought
I am speeding back to mother
spying me in the mirror’s eye
“you’d never do anything to make me
ashamed of you would you”
the alarm clock keeps ringing
in the suitcase overhead
the passengers signal me to open it
turn off the alarm for god’s sake
but I won’t it’s presence is needed
to repeat this moment indefinitely
as a reminder of its passing
3
who is alive and who is not
try matching words to what moves
the living dead dream too
of a life outside the silent bell
that keeps us walking in place
that keeps the stairs
from crumbling under our feet
and the stars from falling
into a puddle in our laps
keep that blissful little smile
from smearing across your winning face
and your breath from sticking to your ribs
4
don’t talk to me
of the lower body beast
material subjugation of the soul
by the sex organs
little more than kissing cousins
to the loquacious arsehole
speak rather of the body
possessed by the praying
mantis of the soul the history
of divine persecution in the name
of the idea that shall set you free
but all in good time all in good time
5
no one there when I look . . .
but turn away and they’re back
vacant stare from a seeing-eye dog
walking my shadow across a stone wall
the crossing guard blows an icy blast
and the world screeches inches from my shoe
school children freeze into position
as a thought-bubble floats above my head
“maybe we never truly touch
and in love remain unknown”
a cat crossing at the green smiles back
“only in metaphor may we meet”
6
enter where the words end
slow static in ghost letters
the number knows your name
but is bound to silence
identity’s inability to connect the dots
too much air between thoughts
dashed upon the blades of waves
the chromosomal alphabet
gone in a glance you drop off
the dozing face of the earth
and appear the day before you arrive
leaving no breath upon the glass
Charles Borkhuis’ seven books of poems include: Afterimage, Savoir-fear, Alpha Ruins, and Proximity (Stolen Arrows). His latest book Disappearing Acts is forthcoming from Chax Press in 2012. He was a finalist in the W.C. Williams Poetry Award and is a recipient of a Drama-Logue Award. He recently translated Franck André Jamme’s poems New Exercises (Wave Books) from the French. His plays include Sunspots and Hamlet’s Ghosts Perform Hamlet, published in the book Mouth of Shadows. Two of his radio plays that were aired over NPR, an interview, and two poetry readings are available on pennsound. His essays and reviews have been published in two books from the University of Alabama Press and numerous journals. He was a curator of the Segue Poetry Reading Series in NYC for 15 years.
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DEAD RECKONING II:
Only in Metaphor May We Meet
1
a woman the size of an ant
is slowly climbing up my right toe
magnified 50x her eyes appear angry
have I changed that much or has she
turn to the next heat-seeking headline
“door-to-door combat at nursing home”
“bomb found inside talking doll”
“land mine awakens under child’s foot”
“greenland swallowed by the sea”
the tiny woman has just poked a hole
through the obituary page
and is crawling up my inner thigh
2
lost on a train of thought
I am speeding back to mother
spying me in the mirror’s eye
“you’d never do anything to make me
ashamed of you would you”
the alarm clock keeps ringing
in the suitcase overhead
the passengers signal me to open it
turn off the alarm for god’s sake
but I won’t it’s presence is needed
to repeat this moment indefinitely
as a reminder of its passing
3
who is alive and who is not
try matching words to what moves
the living dead dream too
of a life outside the silent bell
that keeps us walking in place
that keeps the stairs
from crumbling under our feet
and the stars from falling
into a puddle in our laps
keep that blissful little smile
from smearing across your winning face
and your breath from sticking to your ribs
4
don’t talk to me
of the lower body beast
material subjugation of the soul
by the sex organs
little more than kissing cousins
to the loquacious arsehole
speak rather of the body
possessed by the praying
mantis of the soul the history
of divine persecution in the name
of the idea that shall set you free
but all in good time all in good time
5
no one there when I look . . .
but turn away and they’re back
vacant stare from a seeing-eye dog
walking my shadow across a stone wall
the crossing guard blows an icy blast
and the world screeches inches from my shoe
school children freeze into position
as a thought-bubble floats above my head
“maybe we never truly touch
and in love remain unknown”
a cat crossing at the green smiles back
“only in metaphor may we meet”
6
enter where the words end
slow static in ghost letters
the number knows your name
but is bound to silence
identity’s inability to connect the dots
too much air between thoughts
dashed upon the blades of waves
the chromosomal alphabet
gone in a glance you drop off
the dozing face of the earth
and appear the day before you arrive
leaving no breath upon the glass
Charles Borkhuis’ seven books of poems include: Afterimage, Savoir-fear, Alpha Ruins, and Proximity (Stolen Arrows). His latest book Disappearing Acts is forthcoming from Chax Press in 2012. He was a finalist in the W.C. Williams Poetry Award and is a recipient of a Drama-Logue Award. He recently translated Franck André Jamme’s poems New Exercises (Wave Books) from the French. His plays include Sunspots and Hamlet’s Ghosts Perform Hamlet, published in the book Mouth of Shadows. Two of his radio plays that were aired over NPR, an interview, and two poetry readings are available on pennsound. His essays and reviews have been published in two books from the University of Alabama Press and numerous journals. He was a curator of the Segue Poetry Reading Series in NYC for 15 years.
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